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unchorusing
17.06.26unchorusing is a collaborative, accumulative piece created for elsewhere, within here, a Royal College of Art Curating Contemporary Art project. The audio collage, structured around the arpentage learning practice, explores sound and language as a site of political resistance and memory through fragmented sound-scraps, recorded texts, and broadcast media.
Time Artist / Author Track / Source
00:00–00:16 Noods Radio Soundbite “Dubbeep”
00:11–00:53 John Berger Reads Letter from Gaza by Ghassan Kanafani (PalFest, 2008)
00:21–01:17 Leila and the Wolves Official Trailer (1984)
00:45–02:05 Os Mutantes A Minha Menina
01:43–02:13 Toni Morrison The Sound of Memory (1995), p. 80
02:00–03:55 MC Solaar Bouge de là
03:15–04:09 Anne Carson Glass, Irony and God (1995), p. 127
03:38–06:16 Fela Kuti Viva Nigeria
04:38–05:03 Christopher Cox The Politics of Sound (2020), p. 230
05:55–09:57 Group Anmataff / Tinariwen Sahel Sounds
06:02–06:40 楊凱麟 《分裂分析德勒茲》 (2017), pp. 9–12
07:40–09:06 박송이 (Song-i Park) “Translator Deborah Smith…” (Kyunghyang Shinmun, 2024)
09:48–11:18 Trinh T. Minh-ha An Acoustic Journey (1996), p. 1
10:03–13:29 Rodriguez I Think of You
11:19–13:48 Christopher Cox The Politics of Sound (2020), p. 230
13:18–18:24 The Blue Nile Over the Hillside
15:53–18:41 박송이 (Song-i Park) “Translator Deborah Smith…” (Kyunghyang Shinmun, 2024)
18:17–20:36 Joy Division Exercise One
19:19–20:40 Walter Benjamin Selected Writings, Vol. 1 (1996), pp. 254–255
20:34–23:00 Zohra Badala Zamana
21:21–22:08 Bonaventure Soh Bejeng Ndikung In a While or Two We'll Find the Tone (2020), p. 83
23:24–24:17 Vanessa Holyoak Archives of Women Artists, Research and Exhibitions: Teresa Hak Kyung Cha (2023)
24:06–24:58 Madeleine Chartrand Ani Kuni
24:52–25:20 Federica Bueti Sabir: Ghost Tongue of the Sea (2026)
24:57–26:41 William Onyeabor When the Going Is Smooth & Good
26:14–27:40 박송이 (Song-i Park) “Translator Deborah Smith…” (Kyunghyang Shinmun, 2024)
26:41–28:14 Stereolab + Nurse With Wound Simple Headphone Mind
27:59–32:48 Family Bendaly Do You Love Me
29:36–30:14 Alexis Pauline Gumbs Undrowned (2020), p. 15
31:56–32:53 楊凱麟 《分裂分析德勒茲》 (2017), pp. 9–12
32:31–34:59 113, Rim'K Tonton du bled
33:34–33:43 Song-i Park “Translator Deborah Smith…” (English translation, 2024)
34:34–35:05 Enzo Mari Autoprogettazione? (2002), p. 4
34:51–37:25 Suicide Ghost Rider
35:39–36:12 Bonaventure Soh Bejeng Ndikung In a While or Two We'll Find the Tone (2020), p. 84
37:12–37:39 楊凱麟 《分裂分析德勒茲》 (2017), pp. 9–12
37:19–39:25 İstanbul Çalgıcıları Köroğlu Dağları
39:11–39:38 Federica Bueti Sabir: Ghost Tongue of the Sea (2026)
39:18–41:40 Salif Keïta Cono
40:47–42:43 John Berger Reads Letter from Gaza by Ghassan Kanafani (PalFest, 2008)
41:37–43:45 Shawn Phillips I Don't Want To Leave You, I Just Came To Say Good-bye
42:44–43:46 Radio France L’arpentage, une technique de lecture en groupe qui séduit de nouveaux publics (2025)
43:45–46:13 Ryuichi Sakamoto Riot in Lagos
45:31–46:36 楊凱麟 《分裂分析德勒茲》 (2017), pp. 9–12
46:06–48:37 Jan Hammer Group Don't You Know
47:38–48:30 Achille Mbembe The Power of the Archive and Its Limits (2002), p. 19
48:25–50:50 Poder del Alma No hay Nada Nuevo Bajo el Sol
49:38–50:43 Majazz Project Palestinian Sound Archive
50:39–52:28 Kamal Keila Agricultural Revolution
51:32–52:17 Song-i Park “Translator Deborah Smith…” (English translation, 2024)
52:18–54:20 Pentangle Sweet Child
52:21–53:07 Trinh T. Minh-ha An Acoustic Journey (1996), p. 1
53:38–54:45 Federica Bueti Sabir: Ghost Tongue of the Sea (2026)
54:15–56:38 Bob Marley Concrete Jungle
56:23–57:47 Trinh T. Minh-ha Elsewhere, Within Here (2010), p. 33
57:35–60:00 Gal Costa Tuareg
58:31–59:01 Walter Benjamin Selected Writings, Vol. 1 (1996), pp. 254–255
59:00–59:18 楊凱麟 《分裂分析德勒茲》 (2017), pp. 9–12

58 w/ Lulu
Lulu is 58 and 58 is Lulu. A personal guided tour through 58’s record collection and Lulu’s headspace. Expect a lot of moody art rock and an excessive use of adjectives.

