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Near Country
30.09.25A special Near Country episode brings avid shape note singer Erin Johnson-Williams into the studio to talk about shape note music, a singing system and performance practice popularized in 19th century singing schools across the Southern United States, now sung internationally in cities like Berlin and Bristol. Erin tackles seven-shape (e.g. Christian Harmony) vs four-shape (e.g. Sacred Harp) systems, singing in the Southern US vs Southern England, the 2025 edition of the Sacred Harp, and the politics of it all, with historical and contemporary recordings sprinkled throughout.
Wiregrass Singers - The Dying Boy
Wiregrass Singers - Amazing Grace
Esther Morgan-Ellis - 142 Stratfield
Jonathan Smith - Dundee
Camp Doremi Europe 2015 - 172 The Grand Highway
Loosacoona Primitive Baptist Church, Yolabusha County - New Topia (white singers, doremi syllables, 1981)
Dumas Chapel, Webster County - Struggle On (black singers, doremi syllables, 1970)
4th London Christian Harmony All-Day Singing 2016 - 265 Mourner's Lamentation
Southampton Christian Harmony All-Day Singing 2025 - Where We'll Never Grow Old
Southampton Christian Harmony All-Day Singing 2025 - Traveler's Hope
Sacred Harp Bremen Online - 140b Ten Thousand Charms

Near Country
Near Country exists along the margins to the centre of country music, with all that defies and defines it. Mixes weave through rockabilly, blues, americana, experimental folk, bluegrass, gospel, classic country, pop country, radical country, country rap, and more. The show follows threads of country music from its experimental, melded origins through to its variegated branches today. Sometimes that means approaching country, getting near to, gesturing towards the thing itself without getting there. The nearer, the more porous its borders become. A joke about the countryβs borders writes itself. Industry, politics, culture posit a tight, rigid structure. And while to an extent that image maps to a reality in the genre, both an inclusive contemporary and historical perspective challenges the monolithic identity of country music.