Hellfire Video Club: Post-Spooky Withdrawls

Shinichi Fukazawa, 1995, Japan.

A Japanese version of demonic-posession/haunted cabin classic "The Evil Dead". Plot is pretty similar, and the practical FX are also in the same ballpark - but this one goes absolutey ballistic. After quickly skipping through the set-up and introducing the possession element, the film then shifts into full Rampage-mode - an hour-long onslaught of increasingly bizarre gore/splatter set pieces ensues, constantly adding in avante-garde animation techniques to the mix. "Evil Dead" x "Hausu" is prretty accurate.   This is much better than the new "Evil Dead Rise" film (which i didn't mind, but much preffered the 2013 Evil Dead remake that everyone else seemed to hate...)

Bernard Launois, 1986, France.

Another hypnagogic nightmare. The time focussing on a couple who's car breaks down in rural France forcing them to take off on foot, and get caught up with an old Nazi-potato man, a mummy, and an old dude who thinks his horse is the devil. This film has such damaged internal logic that it is impossible to guess what will happen next or where it is heading - which makes for a fun (if groggy) watch.  These structural failures are a big feature in most of our favourite old horror films .... the 'auteur theory' is not taken so seriously these days, but there is something to be said for a lone filmmaker following their own eccentric path that can yield beautiful and rewarding results.   This isn't that, but you know what i mean...

Hellfire Video Club have a monthly radio show here on Noods, and have recently restarted their film nights — screening obscure cult films at The Cube Microplex. Next event is a 1970's Hippie Horror double bill, get your tickets here.